© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York
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What does it mean to notice how we see? NANCY HOLT: Light and Shadow Poetics offers an encounter where art and archi-tecture shape perception together. Over five decades, Nancy Holt (1938–2014) explored how we perceive the world, and how language, light, sound, and the built environment shape our sense of place. This exhibition brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.
At the center of the exhibition is Holt’s 1972 photographic poem California Sun Signs, which gathers the word “sun” as it appears across California’s commercial and infrastructural landscape. The exhibition also features Holt’s audio work—pieces she described as poems in place—alongside works related to her landmark Sun Tunnels project from the mid-1970s. Together, they invite visitors to slow down, to listen, and to notice how perception itself unfolds through space.
Curators: Lisa Le Feuvre, Beth Stryker (in partnership with Sprüth Magers and the Holt/Smithson Foundation)
At the center of the exhibition is Holt’s 1972 photographic poem California Sun Signs, which gathers the word “sun” as it appears across California’s commercial and infrastructural landscape. The exhibition also features Holt’s audio work—pieces she described as poems in place—alongside works related to her landmark Sun Tunnels project from the mid-1970s. Together, they invite visitors to slow down, to listen, and to notice how perception itself unfolds through space.
Curators: Lisa Le Feuvre, Beth Stryker (in partnership with Sprüth Magers and the Holt/Smithson Foundation)
25.2.2026—25.5.2026
MAK Center Los Angeles, Schindler House
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York
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